Pune: The World Through the Eyes of Sai Paranjpye – A Special Film Retrospective at National Film Archive of India

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Pune, 19th March 2025: The NFDC-National Film Archive of India (NFDC-NFAI) is delighted to present a special retrospective titled “The World Through the Eyes of Sai Paranjpye”, celebrating the illustrious life and career of renowned writer, playwright, and filmmaker Sai Paranjpye.

Spanning three days—from March 21 to March 23, 2025—this carefully curated festival showcases 9 landmark films from Sai Paranjpye’s widely admired filmography, traversing various genres, themes, and cinematic styles. To make the occasion more memorable, Sai Paranjpye herself will be present at the screenings, personally introducing her films and participating in post-screening discussions, offering the audience a rare opportunity to engage directly with her creative insights and experiences.

A highlight of this festival is the screening of select films that have been restored in 4K and digitised in 2K under the National Film Heritage Mission (NFHM)—a flagship initiative funded by the Ministry of Information and Broadcasting, Government of India. These efforts reflect NFDC-NFAI’s ongoing commitment to preserving and celebrating India’s rich cinematic heritage and ensuring these iconic works are available to future generations in pristine quality.

The screenings will open on Friday, March 21, with the beloved children’s fantasy Jadu Ka Shankh (1974), followed by Papeeha (1993), a moving story centered around environmental conservation and indigenous communities. On Saturday, March 22, audiences can enjoy Sikander (1976), a retelling of historical legend, along with two short films—Horrrn Pukare (2009) and Suee (2009)—both offering contemporary reflections on Indian society. The afternoon features Disha (1990), addressing migration and displacement, while the evening brings the timeless classic Katha (1982), renowned for its wit and relatable characters. The festival concludes on Sunday, March 23, with the entertaining children’s film Chakachak (2005), promoting cleanliness and hygiene, followed by Saaz (1997), a poignant tale of sisterhood and music set in the world of Indian classical performance. Together, these films reveal how Sai Paranjpye consistently returns to themes of empathy, social commentary, and joy. In times where cinema often leans towards the extravagant, her work reminds us of the enduring power of simple, heartfelt storytelling.

Entry is free and open to all, on a first-come, first-served basis.

This retrospective not only pays tribute to Sai Paranjpye’s rich legacy but also underlines NFDC-NFAI’s dedication to keeping these stories alive through restoration, making her world accessible to new generations of viewers.